{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://fortunoff.aviaryplatform.com/iiif/8c9r20tr8p/manifest","type":"Manifest","label":{"en":["Yinete prosklitiryo ke Stavrou Voutira - Γίνεται προσκλητήριο και Σταύρου Βουτυρά - There Was a Bugle Call on Stavrou Voutira Street"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/005/original/Fortunoff-Logo.png?1549333634","metadata":[{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003eIn his testimony, Pepo S. (1916–1995), a native of Salonika (Thessaloniki), Greece, remembers staying in the ghetto situated in the Baron Hirsch quarter, the Jewish quarter of the city. Pepo, with others also working at the Jewish Community organization, was preparing up to 1,400 meals every morning for those locked in the ghetto. He remembered two individuals of “terrible conduct”: Vital Hasson and Edgar Chounio (pronounced Ku-nyo). Chounio “exploited Jews in their vulnerable position, taking their money and abusing young girls as he pleased.” After the War, Chounio was convicted for collaboration. Vital Hasson was the kapo of the Baron Hirsch quarter, assigned by the Germans. This lyric of the song, according to Pepo’s testimony, was written by the daughter of someone named Dr. Menashe.\u003c/p\u003e\r\n\u003cp\u003e \u003c/p\u003e\r\n\u003cp\u003eStavrou Voutira is a street in the former Baron de Hirsch Jewish quarter of Salonika (Thessaloniki). In 2005, Bear Family Records (Germany) released a 7-CD edition comprising 193 recordings of ‘Lily Marleen,’ along with a 180-page illustrated booklet. See Bear Family Records, BCD 16022, ISBN: 3-89916-154-8.\u003c/p\u003e\r\n\u003cp\u003e \u003c/p\u003e\r\n\u003cp\u003eThe music used here was the widely popular tune of \u003cem\u003eLili Marleen\u003c/em\u003e. The latter (also spelled \u003cem\u003eLili Marlen\u003c/em\u003e, \u003cem\u003eLili Marlene\u003c/em\u003e, \u003cem\u003eLily Marlene\u003c/em\u003e, and so on) had a rich history in itself. The music was composed by the NSDAP member Norbert Schultze in 1938, to the pre-existing poem by Hans Leip published in 1915 (republished in 1937). The first recording of Lili Marleen, by Lale Andersen, came out in 1939 and gained instant popularity. The turning point that won Lili Marleen mass popularity among the Allies was the version recorded by Marlene Dietrich in 1944 for the Office of Strategic Services (OSS), which had initiated the Muzak Project, musical propaganda broadcasts designed to demoralize Axis soldiers. The song was recorded about 200 times to multiple versions of the lyrics in many languages.\u003c/p\u003e\r\n\u003cp\u003e \u003c/p\u003e\r\n\u003cp\u003eThe version recounted by Pepo is truly remarkable: it juxtaposes the careless cabaret-style tune to the chilling story of the Jewish Police—collaborators in Salonika, naming the names and realistically setting the scene in the Baron Hirsch quarter. By pure luck, and thanks to Dr. Judith Cohen in Toronto, Canada, I was able to connect with Dr. Rena Molho, a leading historian and culture expert of the Thessaloniki Jewish community. Dr. Molho not only helped transcribe the Greek text, but also provided wider historical context for the song: she happened to know Pepo S. and his family and provided a first hand account of their family story and the Jewish community’s history during the Holocaust.\u003c/p\u003e\r\n\u003cp\u003e \u003c/p\u003e\r\n\u003cp\u003eThe arrangement of this song conveys the atmosphere of the cabaret music that moves in stark contrast with the lyrics. Towards the end, however, the lyric finally ‘breaks the wall,’ and the music goes into frenzy, revolving around just two lines from the chorus, yet never finishing it.\u003c/p\u003e (Summary)","\u003cp\u003ePepo S. Holocaust Testimony (HVT-2790). Fortunoff Video Archive for Holocaust Testimonies, Yale University Library. \u003ca href=\"https://fortunoff.aviaryplatform.com/r/cv4bn9x690\"\u003eView the testimony here\u003c/a\u003e.\u003c/p\u003e (Relatedmaterial)"]}}],"summary":{"en":["\u003cp\u003eIn his testimony, Pepo S. (1916\u0026ndash;1995), a native of Salonika (Thessaloniki), Greece, remembers staying in the ghetto situated in the Baron Hirsch quarter, the Jewish quarter of the city. Pepo, with others also working at the Jewish Community organization, was preparing up to 1,400 meals every morning for those locked in the ghetto. He remembered two individuals of \u0026ldquo;terrible conduct\u0026rdquo;: Vital Hasson and Edgar Chounio (pronounced Ku-nyo). Chounio \u0026ldquo;exploited Jews in their vulnerable position, taking their money and abusing young girls as he pleased.\u0026rdquo; After the War, Chounio was convicted for collaboration. Vital Hasson was the kapo of the Baron Hirsch quarter, assigned by the Germans. This lyric of the song, according to Pepo\u0026rsquo;s testimony, was written by the daughter of someone named Dr. Menashe.\u003c/p\u003e\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\u003cp\u003eStavrou Voutira is a street in the former Baron de Hirsch Jewish quarter of Salonika (Thessaloniki). In 2005, Bear Family Records (Germany) released a 7-CD edition comprising 193 recordings of \u0026lsquo;Lily Marleen,\u0026rsquo; along with a 180-page illustrated booklet. See Bear Family Records, BCD 16022, ISBN: 3-89916-154-8.\u003c/p\u003e\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\u003cp\u003eThe music used here was the widely popular tune of \u003cem\u003eLili Marleen\u003c/em\u003e. The latter (also spelled \u003cem\u003eLili Marlen\u003c/em\u003e, \u003cem\u003eLili Marlene\u003c/em\u003e, \u003cem\u003eLily Marlene\u003c/em\u003e, and so on) had a rich history in itself. The music was composed by the NSDAP member Norbert Schultze in 1938, to the pre-existing poem by Hans Leip published in 1915 (republished in 1937). The first recording of Lili Marleen, by Lale Andersen, came out in 1939 and gained instant popularity. The turning point that won Lili Marleen mass popularity among the Allies was the version recorded by Marlene Dietrich in 1944 for the Office of Strategic Services (OSS), which had initiated the Muzak Project, musical propaganda broadcasts designed to demoralize Axis soldiers. The song was recorded about 200 times to multiple versions of the lyrics in many languages.\u003c/p\u003e\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\u003cp\u003eThe version recounted by Pepo is truly remarkable: it juxtaposes the careless cabaret-style tune to the chilling story of the Jewish Police\u0026mdash;collaborators in Salonika, naming the names and realistically setting the scene in the Baron Hirsch quarter. By pure luck, and thanks to Dr. Judith Cohen in Toronto, Canada, I was able to connect with Dr. Rena Molho, a leading historian and culture expert of the Thessaloniki Jewish community. Dr. Molho not only helped transcribe the Greek text, but also provided wider historical context for the song: she happened to know Pepo S. and his family and provided a first hand account of their family story and the Jewish community\u0026rsquo;s history during the Holocaust.\u003c/p\u003e\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\u003cp\u003eThe arrangement of this song conveys the atmosphere of the cabaret music that moves in stark contrast with the lyrics. Towards the end, however, the lyric finally \u0026lsquo;breaks the wall,\u0026rsquo; and the music goes into frenzy, revolving around just two lines from the chorus, yet never finishing it.\u003c/p\u003e","\u003cp\u003ePepo S. Holocaust Testimony (HVT-2790). Fortunoff Video Archive for Holocaust Testimonies, Yale University Library. \u003ca href=\"https://fortunoff.aviaryplatform.com/r/cv4bn9x690\"\u003eView the testimony here\u003c/a\u003e.\u003c/p\u003e"]},"provider":[{"id":"https://fortunoff.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Fortunoff Video Archive for Holocaust Testimonies"]},"homepage":[{"id":"https://fortunoff.aviaryplatform.com/","type":"Text","label":{"en":["Fortunoff Video Archive for Holocaust Testimonies"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/005/original/Fortunoff-Logo.png?1549333634","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/302/106/small/AviaryThumbnail.jpg?1770657779","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106","type":"Canvas","label":{"en":["Media 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Zisl_Slepovitch_EnsembleSasha_Lurje_-_Shotns_-_Songs_from_Testimonies_Vol_3_-_06_-_Yinete_prosklitiryo_ke_Stavrou_Voutira.mp3"]},"duration":230.93117,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/302/106/small/AviaryThumbnail.jpg?1770657779","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106/content/1","type":"AnnotationPage","items":[{"id":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-fortunoff.s3.wasabisys.com/collection_resource_files/resource_files/000/302/106/original/Zisl_Slepovitch_EnsembleSasha_Lurje_-_Shotns_-_Songs_from_Testimonies_Vol_3_-_06_-_Yinete_prosklitiryo_ke_Stavrou_Voutira.mp3?1770657720","type":"Audio","format":"audio/mpeg","duration":230.93117,"width":640,"height":360},"target":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106","metadata":[]}]}],"annotations":[{"id":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106/transcript/89696","type":"AnnotationPage","label":{"en":["Greek Captions [Transcript]"]},"items":[{"id":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106/transcript/89696/annotation/1","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Γίνεται προσκλητήριο και Σταύρου Βουτυρά","format":"text/plain"},"target":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106#t=10.343,15.07"},{"id":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106/transcript/89696/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Πολιτοφύλακες τρέχουν να μην πάνε αργά","format":"text/plain"},"target":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106#t=15.501,20.321"},{"id":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106/transcript/89696/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Πρώτος μας έρχεται ο Χάγουελ","format":"text/plain"},"target":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106#t=20.77,25.55"},{"id":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106/transcript/89696/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"το όνομά του Ντάνιελ","format":"text/plain"},"target":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106#t=25.91,30.66"},{"id":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106/transcript/89696/annotation/5","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Μαζεύει αγγαρεία","format":"text/plain"},"target":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106#t=30.745,35.001"},{"id":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106/transcript/89696/annotation/6","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"και κάνει φασαρία.","format":"text/plain"},"target":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106#t=35.601,39.671"},{"id":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106/transcript/89696/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Ερχονται μετά οι αδελφοί Λαζάρ","format":"text/plain"},"target":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106#t=50.881,55.401"},{"id":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106/transcript/89696/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Οι αδελφοί Σιών και πλήθος άλλων σταρ","format":"text/plain"},"target":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106#t=55.682,60.391"},{"id":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106/transcript/89696/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Και φτάνουνε αισίως","format":"text/plain"},"target":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106#t=108.853,111.221"},{"id":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106/transcript/89696/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Οι αδελφοί Αμαρίλιο","format":"text/plain"},"target":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106#t=111.511,113.491"},{"id":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106/transcript/89696/annotation/11","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Ο ένας μ ’ένα άστρο και ο άλλο με τα δύο","format":"text/plain"},"target":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106#t=113.856,118.931"},{"id":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106/transcript/89696/annotation/12","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Κορίτσια φυλαχτείτε γιατί έρχεται ο Έντγκαρ","format":"text/plain"},"target":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106#t=166.353,170.751"},{"id":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106/transcript/89696/annotation/13","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Επάνω στο μπαλκόνι εσάς θα ‘ρθει να πάρει","format":"text/plain"},"target":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106#t=171.41,175.957"}]},{"id":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106/transcript/89696","type":"AnnotationPage","label":{"en":["Greek, Modern (1453-) 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Stavrou Voutira.","format":"text/plain"},"target":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106#t=10.343,15.07"},{"id":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106/transcript/89697/annotation/16","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Jewish police guards (Kapos) run so they won’t stall or linger.","format":"text/plain"},"target":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106#t=15.501,20.321"},{"id":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106/transcript/89697/annotation/17","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"First comes Hagwel,","format":"text/plain"},"target":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106#t=20.77,25.55"},{"id":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106/transcript/89697/annotation/18","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"His name (is) Daniel,","format":"text/plain"},"target":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106#t=25.91,30.66"},{"id":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106/transcript/89697/annotation/19","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"He gathers (people) for labor,","format":"text/plain"},"target":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106#t=30.745,35.001"},{"id":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106/transcript/89697/annotation/20","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And makes a fuss.","format":"text/plain"},"target":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106#t=35.601,39.671"},{"id":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106/transcript/89697/annotation/21","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Then follow the Lazar brothers,","format":"text/plain"},"target":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106#t=50.881,55.401"},{"id":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106/transcript/89697/annotation/22","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The Sion brothers,","format":"text/plain"},"target":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106#t=55.682,60.391"},{"id":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106/transcript/89697/annotation/23","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and many other ‘stars,’","format":"text/plain"},"target":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106#t=108.853,111.221"},{"id":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106/transcript/89697/annotation/24","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Finally arrive the Amarillio brothers,","format":"text/plain"},"target":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106#t=111.511,113.491"},{"id":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106/transcript/89697/annotation/25","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"One with one star and the other with two (irony).","format":"text/plain"},"target":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106#t=113.856,118.931"},{"id":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106/transcript/89697/annotation/26","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Girls, beware, because Odgar is coming.","format":"text/plain"},"target":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106#t=166.353,170.751"},{"id":"https://fortunoff.aviaryplatform.com/collections/3607/collection_resources/166005/file/302106/transcript/89697/annotation/27","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Up on the wagon it is you he comes to 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